Communication as Art & a Tool for Change

In the month of February, I interviewed the following talented and inspiring people:

* Jamal Ali, documentary filmmaker and aircraft engineer who was awarded the Outstanding Refugee Entrepreneurship Award by the Minnesota Department of Human Services. Watch the interview  

* Jan Hadley, a Christian grandma and author committed to sharing the Lord’s love.   Watch the interview

* Majid Aziz, an Iraqi-American who escaped extremists twice through poetry.  Watch the interview

* Yasmine Mohammed, an author and activist who had the courage to escape her abusive life, tell her story, and help others.  Watch the interview

What do these people have in common, aside from talent and hard work? Courage. The courage to use communication as both an art and a tool for change. 

Some of my readers have described my books as a “recipe for life.” My former New York agent, Frances Kuffel, and an Iraqi American critic, said about my writing for my first book The Feminine Art that the style resembled that of Jane Austen. For Austen, the novel was her chosen tool in the struggle to reform humanity. While she mixed satire with tenderness, she focused on the emotional authenticity of her characters. She didn’t write in a way that would alienate people with intimidating language or lofty morals and themes. Through her novel, she attempted to make people less selfish and more reasonable, more dignified and sensitive to the needs of others. Her stories were about recoiling from greed, arrogance and pride and being drawn to goodness within ourselves and others. She was a true feminist way before “Feminism” even existed. She made women “think.” So I see how we are similar.  

From early on in my career, I have followed Dr. Joseph Murphy’s three steps to success (written in The Power of Your Subconscious Mind):

  1. Find out the thing you love to do, then do it.
  2. Specialize in some particular branch of work and know more about it than anyone else.
  3. You must be sure that the thing you want to do does not rebound to your success only. Your desire must not be selfish; it must benefit humanity. 

There are a lot of big issues happening in the world right now, most of which we have no creative control over. We have the choice to work on what we can control, which is ourselves, and to plant seeds of beauty and joy, in order to create a new reality, one that is absent of the continuous patterns of war, violence, and conflict.  Unfortunately, many people today are choosing to silence or even punish and hurt anyone who opposes their opinion – even if it’s a type of artform – rather than communicate with them. This type of behavior is dangerous, and it leads to loss of relationship, inner turmoil, trauma,  violence and potentially even war. 

Words have power; verbal as well as nonverbal communication are both vital, both healing art forms.  I encourage you to use them to transform your life and the lives of others. 

Check out my YouTube channel to learn about this week’s guest, who I’ll be interviewing live. Subscribe to my channel and set reminders/alerts so you can stay updated on Live and uploaded content.

We are celebrating Women’s History Month during March.

Check out the guest line-up for March:

The Royal Starr Arts Institute

As an author and filmmaker, I’ve been quite productive because I dedicate a lot of attention and work hours into my field. I also connect with communities who support my type of work, in order to learn more and network. For filmmaking, this is particularly important as, unlike with writing, making films requires a team – oftentimes a huge one. Just take a look at the credits at the end of any movie.

Sometimes, the work dynamics are not apparent right away. For instance, today I’m working on my feature film with Dr. Stan Williams, a veteran award-winning filmmaker who taught screenwriting and directing at the Motion Picture Institute of Michigan which I attended over a decade ago. You never know how the people you meet will team up with you in the future.

That’s why communities like the Royal Starr Arts Institute are vital to a career in film. They offer you the opportunity to associate with like-minded, like-spirited people where you can share your talents, learn about the talents of others, and possibly find a team for your current or next project. Last month, I interviewed Luke Castle, the president of Royal Starr Arts Institute, which has a free mixer every month and a film festival every year in September.

Be sure to check out the half-hour TV-interview in the youtube video. Please note: the mixer which takes place every 2nd Tuesday of the month will be online through Discord due to COVID-19.  Reserve Your Free Tickets Here!

What’s the story behind the Royal Starr Arts Institute? Why and how was it started?

The Royal Starr mission was to celebrate the art of film through the curation and exhibition of works from all over the world, the United States and right here in Michigan. Eighteen months before the first 2016 Royal Starr Film Festival a group of gentlemen met to talk about starting a Film Festival in their community in Royal Oak, MI. After a few months of meeting,they had a name. Royal Starr. “Royal” to pay homage to the community that they made home. “Starr” to honor Orson Starr’s Family, the first manufacturer in Royal Oak. The Starrs made cowbells and bricks, helping create jobs and an economy back in 1840’s. Along with finding a name, the group of gentlemen found their very first Partnership with Paul Glantz and the luxury theaters of Emagine.

What’s your personal background in film and how does that help the Institute?      

I studied film at Full Sail University, but I wanted to stay here in Michigan to help other filmmakers; I believe in Michigan talent. I was a member of the Detroit Windsor International Film Festival before this and wanted to explore my passion for modern creative arts. Thus, Royal Starr was created.

What role does the Institute play in the filmmaking community? 

We are rebuilding the fragmented Michigan filmmaker community after the withdrawal of the Michigan film incentives with consistency, communication, partnerships.

In 2018 we started the Michigan Filmmaker Community Mixer. Knowing consistency would be key to building the trust of the already fragmented community. With the belief that community thrives on face to face interaction to encourage better communication between the fragments of the community, we would hold a open and free event every second Tuesday of the month.

How has your organization made a difference in Michigan’s filmmaking community? Do you have any examples to share?

We understood we had to be more than just a networking event. We had to create viable and real opportunities. From the beginning we offered tables at the event for members to highlight themselves, for casting roles, filling crew positions, and sharing their projects. Driven by our second belief, we are here to create a viable film economy. So we made sure that whoever had a table and were recruiting for a project had to be offering some sort of monetary compensation for the roles or crew positions they were offering.

You have a yearly festival. What are the dates for 2020 and what are some of the things filmmakers should know about the festival? 

The 2020 Royal Starr Film festival will be held from September 11th- 20th at Emagine Theatres in Royal Oak, featuring films from Michigan and all around the world. We love to celebrate with our guests afterward.

What advice would you give filmmakers just starting out? Or those trying to hone their craft? 

Every project you work on is a learning experience and grows your skill set.

Where do you see the institute five years from now? 

I see Royal Starr expanding and offering more learning initiatives, especially during our Film and Digital Media Expo (FANME). In past years, we offered editing, acting, writing, and lighting workshops with leaders in the film industry.thumbnail_logo