The Importance of Empowering Others

Last week, I received notice that my feature documentary, The Great American Family, won an IndieFEST international film award (Women Filmmaker category), joining the ranks of other high-profile winners of this respected award including Liam Neeson, George Clooney, Susan Sarandon, Leon Lee, and Katie Holmes. This is the same story that won a 2017 Eric Hoffer book award.

Part of my success is discipline and hard work (I worked 8 years on the documentary and 6 of those years also on the book). Another part is faith, the belief that I can and I will do what I set out to do. Another important part is service, doing something that will benefit another without expecting anything in return. And that also describes Kai Mann’s road to success.

Kai Mann4

An author, entrepreneur, and inspirationlist, Kai contacted me years ago to interview me on her show, Conversations with Kai Mann. I followed her over the years and found that her writing is both positive and with purpose. She believes that her keen ability to provoke thought, trigger change and enlighten the lives of others has catapulted her to a literary success. Whether it’s in the form of a blog post or article, Kai strives to empower and educate followers around the world about the nature of love, the importance of relationships and how these play a vital role in life.

Which brings us to the topic of why it’s important to empower and enrich others.

Geshe Michael Roach, a Tibetan monk who’s originally from Los Angeles and who graduated from Princeton with honors, shares the strategy that made him a multi-millionaire.

  1. Decide what it is that you want
  2. Find someone else who wants the same thing
  3. Help that person get what they want
  4. At the end of the day be grateful and happy for the good that you’ve done.

Michael was the first American to receive the Geshe degree at Sera Monastery in Tibet. After, his teacher instructed him to set up a business in Manhattan to help Tibetan refugees. With a loan of $50,000 and three employees, Michael started a company that ended up making $100 per year and at one point $200 million.

I believe that serving others by lifting them up, empowering them, giving them the very thing you are striving for, does help you rise as well – especially if you don’t forget to do the Number 4 step – appreciate the good you’ve done. Rather than complain about what you don’t have, provide it. Before asking an influential and busy person to help you, do something for them. If there’s blockage with your money flow, check if you owe someone money you’re avoiding to return, or ask yourself when was the last time you donated to a cause you believe in?

Spend your time creating and providing rather than complaining and criticizing. Be the source. If nothing else, you’ll be a much happier person.

To join our spiritual and writing community, check out The Path of Consciousness’ upcoming conference and retreat http://www.ThePathofConsciousness.com

To learn more about Kai Mann, visit her website https://kai-mann.com/

The Moral Premise

“Every commercially successful story, be it a movie or novel, has at its heart a true and consistent Moral Premise,” says Dr. Stan Williams. “Without this crucial element, your story is destined to fail.”

Stan is the vice president of Unique Voices in Films, a 501(C)(3) nonprofit organization, a veteran producer of hundreds of documentaries, and an active Hollywood story consultant who has worked most notably on multiple film projects with Will Smith. He’s the author of The Moral Premise: Harnessing Virtue and Vice for Box Office Success, which Will Smith considered “The most powerful tool in my new tool box.”  

“The Moral Premise is the crux of successful storytelling since Plato, 2,500 years ago,” he says. “Yes, it’s been around that long… and yes, I know, my book came out only in 2006.”

In 2006 Michael Wiese Books published Stan’s book and almost immediately he was asked to give workshops on the topic, which he has done across the country, most notably in Los Angeles and S.E. Michigan where he resides.

As a result of his book, the workshops, and the numerous motion picture projects he worked on, which have grossed over a billion dollars worldwide, and due to repeated requests, Stan created a training that’s widely and readily available to people. Through story craft training, writers are able to master their story, whether it is a novel, screenplay, or stage play. Here’s a link to learn more http://storycrafttraining.blogspot.com/

I met Stan at the Motion Picture Institute of Michigan where he taught Directing and Screenwriting classes. He always had a fresh approach to the art and craft of writing, one which helps a writer focus and get to the heart of the story. We recently worked on my feature script, Pomegranate. His eye for detail and respect for the writer’s own moral premise for the characters made the process incredibly productive and fulfilling.

Pomegranate
Working on the script Pomegranate with Stan

Stan offers one-on-one story consult, but if you’re not local, there are many other ways to learn from him. You can read his book, watch the 10 episodes of Storycraft Training (7.5 hours in 20 videos) and read over 200 of his blog posts which offer much inspiration. Stan’s appreciation for storytelling has led to an abundance of material where he talks about why stories are so important to culture, and what do stories and natural law have in common? His program covers, among many other things, the correlation between a story’s moral validity and box office receipts, the role irony plays in every aspect of a successful story, why impossibilities are necessary in every story, and how Aristotle’s 6 pillars of a great story contribute to drama and suspense.

  1. PLOT: The arrangement of events or incidents on the stage. 
  2. CHARACTER: The agents of the plot that provide the reasons for the events.
  3. THEME: The reason the playwright wrote the play.
  4. LANGUAGE: dramatic dialogue which consists of narrative and dramatic.
  5. RHYTHM: The heart of the play.
  6. SPECTACLE: Everything that is seen or heard on stage.

Stan structures his Moral Premise this way:

(Vice) leads to (defeat), but (Virtue) leads to (success).

Choosing the movie Finding Nemo as an example, he writes that Marlin is a clownfish living in the Great Barrier Reef. When tragedy leaves him a widower, with only one remaining son – Nemo – his protective instincts kick into overdrive. He’d do anything to keep Nemo from harm, but in the process he’s smothering his son. Then Nemo is taken by divers, and Marlin has to navigate an entire ocean to find his son and bring him home.

Throughout the movie, the quest to find Nemo is the external story, but the “real” story is about Marlin overcoming his fears for his son. This is seen clearly at the climax, when Nemo and Marlin are finally reunited against all odds. Within moments, however, a school of nearby fish are caught in a net, and Nemo insists he knows how to save them. Marlin has to face his worst fear – the possibility of losing his son yet again – and choose to release Nemo to swim back into danger.

The Moral Premise of the story could be expressed like this:

Overprotective anxiety leads to losing those we love, but releasing those we love leads to finding them again.

In his latest blog post, Stan talks about why he is always encouraging young screenwriters to find friends who are filmmakers to make their own films. Forget Hollywood, he writes, because getting stuff done is ultimately more satisfying that spitting into the Santa Ana Winds.

Having an insight into Hollywood, he helps writers set realistic expectations and yet also encourages them to dream big – through their own work and not through a dependence on others. He appreciates the heart of a story while in the process, ensuring that the writers entertains, challenges, uplifts this generation and the ones to come.

Stan will be doing a workshop for the upcoming Path of Consciousness spiritual and writing conference & retreat (Oct. 4-6) http://www.thepathofconsciousness.com

You can contact Stan through email at Stan@MoralPremise.com 

Unique Voices in Films Website http://www.UniqueVoicesinFilms.org